Events
"Blow-Up", the 1966 iconic film will be the theme of our upcoming show.
The most iconic poster made to advertise the movie is the one shown here above which features David Hemmings straddling super-model Veruschka at the climactic moment of an orgasmic photo shoot. This image has become the movie’s money shot, and has been endlessly parodied since.
Don't miss our upcomig show featuring Israeli illustrator Yuval Robichek.
Born in Haifa, Israel in 1959, Robichek’s illustrations come like a breath of fresh air in the often too heavy political climate of the Middle East. True to the mentality of the Tel Aviv “Bubble” where he now lives, Robichek’s subject is as a-political as can be. He takes his inspiration straight from the streets and the sea shores which he loves.
Sabyl présente trois de ses séries photos et une vidéo. Les séries ont été prises entre 2012 et 2016 et posent la question de l’adaptation de l’artiste à la réalité : la vie rêvée de l’artiste où les identités et les religions se démultiplient (Self-Portrait, 2013), des scènes de la vie nocturne à Tel Aviv et Beyrouth intégrées les unes aux autres (Shall We Dance?, 2015) mais aussi une vie où les personnages suffoquent (sont suffoqués) de (par) leurs rêves (Rêve Imaginaire, 2012).
Philip Shalam , photographer, represented by the gallery Espace 32, participates in the Accessible Art Fair which will take place in Brussels from September 22 to 25, 2016.
Having won several awards for his work, including the International Photography Awards, Philip will present a dozen photos for the occasion, including his iconic Prada Marfa, Rainy Day at Oxford Circus and Solaris
Philip's work "is a perfect mirror of the society in which we live, the idealized globalization versus a skimpy voyeurism; the world at hand or seen through a peephole. The internet, meant to connect us with each other, only exacerbates our loneliness and distance and in addition makes us all voyeurs."
Photo Image Gallery is happy and proud to present two new artists, Jo Stanness and Karim Alaoui, in a combined show that will start on Saturday June 3rd.
The exhibition, strongly centered on architecture versus nature, shows two artists’ struggles and attempts to create an improved version of their surroundings. On the one hand, Karim’s black and white trees and buildings subdued in a flustered and abstract light as if swept off the ground to a new reality. On the other, Jo’s cut out brutalist buildings, which are given a new lease, a new life and a new dimension by the carefully chosen colour patterns that emerge from its angles.